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The photography of Frenchwoman Alix Marie goes beyond the two-dimensional framework to become sculpture, relief, object and installation. Her favourite subject is our relationship with our own bodies but also our attitude towards their representations through processes of objectification, amplification and accumulation. Although her art is not always self-portraiture in the traditional sense, the autobiographical dimension plays an important role in the fictions that emanate from Alix Marie’s sometimes very raw and suggestive assemblages.